How much money did recent movies make

Roman Griffin Davis will star in Silent Night. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as. And yes, it has the opening weekend record. Additionally, the film earned an A-rating from CinemaScore, so audiences liked the film even more than critics did. No dic surprises. It is also way more than anticipatedand puts it on pace to crush the opening weekend record for MLK weekendand all of the associated records. The film is already the biggest hit released in and if this is a sign of things to muchh, then we are in for a good year. Weathering With You is earning outstanding reviews and will be the biggest hit opening this week. Extracurricular and Feedback are also worth moneu out, but they will find audiences how much money did recent movies make VOD, not in theaters. Full Movie Details. Adventuring out of the garden, Peter finds himself in a world where his mischief is appreciated, but when his family risks everything ,ovies come looking for him, Peter must figure out what kind of bunny he wants to be. January 16,

What’s the average cost of making and selling a Hollywood blockbuster?

Elsa in the enchanted forest during Disney’s «Frozen 2. But for now, there are only 46 movies from the last 25 years that have managed to join this exclusive club. From «Minions» to «Aquaman» and more, keep reading for a look at the biggest box-office hits. As reported by Variety , it took this film 28 days to hit this milestone, while «The Force Awakens» did it in 12 days and «The Last Jedi» managed it in 19 days. The box-office numbers also make «Finding Dory» the fifth highest-grossing animated movie of all time. With the return of Gru, Lucy, and of course the Minions, this is the second movie in the franchise to gross over one billion dollars. The introduction of «South Park» co-creator Trey Parker as a new villain was clearly a smart move. There are four total «Pirates of the Caribbean» movies in the franchise — and two of them have joined the billion dollar club. Like many of the Disney live-action versions of animated classics, «Aladdin» did very well at the box office. Deadline announced the milestone , which came about six weeks after the movie premiered worldwide.

“We’re going to need a bigger boat”

Last month, «Deadpool» star Ryan Reynolds snarkily congratulated «Joker» on becoming the highest-grossing R-Rated movie of all time. At that time, it was the third ever film to do so. The success of «Toy Story 3» helped push a fourth movie into Disney’s animated movie plan. Read more: 10 things you didn’t know about ‘Toy Story 4’. With «Toy Story 4» also crossing this milestone, Disney became the first movie studio to create five billion-dollar movies in a single year. Ah yes, the unstoppable box-office power of the «Transformers» franchise. According to The Wrap, «Age of Extinction» the fourth movie was made specifically with international audiences in mind — and it paid off. People came out in droves for the final installment of Peter Jackson’s «Lord of the Rings» trilogy.

46. «Star Wars: The Rise of Skywalker» (2019)

The screen multiplex, located in suburban Los Angeles, offered 26 screenings of the Disney sequel on Friday, or about one every 30 minutes starting at 10 a. But they were pushed to the edges. Gross, who runs FranchiseRe , a movie consultancy. There is no related merch. Now imagine that you are a studio chief trying to keep your job, and the only sure way to do that is to find the most profitable movies possible. People love to chide Hollywood for making the movies it makes. In a word: no. But the grumbling has grown louder in recent years, especially among cinephiles and older ticket buyers, as film companies have tried to adapt to a changing marketplace. Lumbering sequels and remakes at least have a shot at cutting through the Instagram-Netflix-Fortnite- TikTok clutter and filling seats. These giant movies also create value through merchandise and spinoff theme park rides.

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This is an article I have wanted to research and write for a long, long time. I finally had a moment to sit down and crunch the numbers — I hope it helps in the understanding of Hollywood economics. Almost as long as there have been movies, Hollywood has relied on huge-scale productions to bring in the big bucks. The Extra-Terrestrial As the films have grown, so too have the spoils on offer.

Barts…just because they can. Adrian Bertino-Clarke December 8, at am. Compare Investment Accounts. You can see the securities filings for large theater chains to see how much of their ticket revenue goes back to the studios. As the films have grown, so too have the spoils on offer. And studios are going to start investigating premium video-on-demand services more, as another way to shore up their earnings, says Stone. The starting point for working out the final costs of releasing a movie is to look at how much it cost the studio to shoot the film i. As the saying goes, nobody knows anything in Hollywood. There are a lot of costs that go into running a movie theater, and showing movies is all the movie theater does — unlike most places where DVDs are sold. Q3: How important is the international market, compared to North America? F Thank you for running them backwards and forwards through all your spreadsheets, formulas and thought processes. For example, The box office numbers for Christian movies in the US are probably just the tip of that particular iceberg. Hemmersley Hammersmith July 11, at pm. Do you have any data to support or contradict these numbers?

45. «The Dark Knight» (2008)

Major studios and indie filmmakers alike now spend much of their days looking for new sources of revenue, because ticket sales are no longer the be-all and end-all for films. This is the figure you will hear reported on the news i. For example, Paramount have the rights to distribute The Adventures of Tintin domestically while Sony controls the international rights. Well, it depends on which part of the process you look at. At the end of the day, the important numbers and analyses come from what the windows revenue figures are and their relationships. Best, Shaun Reply. Such an algorithm has potential to take movies where they can be. And I am sure this is a fairly low return for that kind of cash. I Thank you for being so industry generous that you benevolently share your analyses for our communal edification. It represents what percentage of sales has turned into profits. Movies may start in cinemas but they are far from the only place they earn money. In answer to your questions… 1.

7. «Star Was: The Rise of Skywalker»

If you really liked a particular movie, and you’re hoping it made enough money to warrant a sequel, then the wealth of box-office news can be confusing. How can you tell when a movie’s a hit? We asked the experts. If you even pay a little attention to what’s going on in the entertainment industry, it’s easy to get snowed in with box office information that seems meaningful, but is hard to interpret.

If a movie’s number one in its opening weekend, does that mean it’s automatically a hit? Or is the percentage drop between the first and second weekends the important number? And so on. News outlets tend to report lots of box-office data without giving that much context. As Phil Contrino, editor of BoxOffice.

They look at the opening weekend — and instantly a movie is a success or a failure. Sometimes, a film can do well in its first weekend and then stumble in later weekends. Or a film can develop «legs,» like Christopher Nolan’s Inceptionand win a few weekends in a row. Studio accounting, designed to make sure people don’t collect on back-end deals, is a marvel. So how do you know if the box-office gods have smiled enough on your favorite movie that studios are likely to greenlight similar films?

The short answer is, it depends on a number of factors, but a rule of thumb seems to be that the film needs to make twice its production budget globally. For the longer answer, read on. There’s a lot more, although studios are loath to give out numbers. The studios seldom release accurate production budgets — and they’re even more leery of revealing how much they spend on other stuff, like promotion. That’s because those films are often romantic comedies or kids’ movies, which are cheap to make but still need a lot of promotion.

And the numbers only go up with bigger films. Of course, the promotional expenses are different for each film — Contrino points out that Fox didn’t seem to waste much money promoting Gulliver’s Travelsonce it was clear they had a dud on their hands. So Gulliver didn’t lose as much money as it could.

And in some cases, a studio will actually have less money at stake than the film’s production budget — sometimes, the distributor will just acquire an already-made film for a small fee, plus marketing costs, says Gitesh Pandya with BoxOfficeGuru. In those cases, the studio can make a profit even if the film doesn’t make back its production budget.

You might have noticed that studios are pushing a lot harder lately to make a film as big a hit as possible in its opening weekend. And films tend to open on more screens right away — a typical big film will open on 4, screens, instead of the hundreds of screens it would have opened on in the s. And it used to be true across the board that the opening weekend was when the biggest percentage of profits went to the studios.

In the past, studios «strong-armed exhibitors into these front-loaded deals, wherein the overwhelming majority of the opening weekend take goes to the studio,» says David Mumpower with Box Office Prophets. Eventually, by the fourth week, the studio’s cut has fallen to around 52 percent in most cases.

But after a bunch of theater chains declared bankruptcy in the early s, these frontloaded deals started to fall out of fashion, says Doug Stone with BoxOfficeAnalyst. Nowadays, with many of the bigger Hollywood blockbusters, the theater chains just get a standard cut of the whole revenue, regardless of which weekend it comes in.

The percentage of revenues that the exhibitor takes in depends on the individual contract for that film — which in turn depends on how much muscle the distributor has, according to Stone. These deals often protect the theaters from movies that bomb at the box office by giving the theaters a bigger cut of those films. You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Holdingsshows that So as a ballpark figure, studios generally take in around percent of U.

The highest profile example of a film that bombed in the U. And a similar thing happened with the previous Narnia movie, Prince Caspian. Another big film that made way more money overseas than domestically was Terminator Salvation. So if a film does incredibly well overseas but flops in the U. As with everything else to do with box office, the answer is «it depends. According to the book The Hollywood Economist by Edward Jay Epstein, studios take in about 40 percent of the revenue from overseas release — and after expenses, they’re lucky if they take in 15 percent of that number.

Domestic revenue just counts for a lot more than overseas revenue, says David Mumpower with Box Office Prophets:. The reason for this is simple. Collecting revenues abroad is a trickier proposition since the dollar fluctuates against foreign currencies.

There are also tariffs from these governments in place in order to keep as much money as possible from leaving their countries and going abroad, which is an understandable practice. While the global conglomerates such as Fox, Disney and Time-Warner that run major Hollywood studios can secure sweetheart deals with various local governments, it doesn’t happen for each film.

As such, international box office revenue is much less reliable than in North America. But still, overseas box office does matter, more and.

And stars who have a huge global following are more likely to open a movie than ones who are only famous in the U. A shocking number of releases did better abroad than in North America, which makes sense when we consider population numbers. It’s just a relatively new phenomenon for the industry. Avatar’s performance is a great demonstration of global expansion. That’s how important the global picture has become to Hollywood studios.

And the studios get a much bigger cut of DVD revenues than they do of theatrical revenues, because the retailers aren’t as «significant of a middle man» as the theater owners, according to Paul Dergarabedian, president of Hollywood. There are a lot of costs that go into running a movie theater, and showing movies is all the movie theater does — unlike most places where DVDs are sold.

There are some genres of film that do especially well on DVD — like horror films, which are often cheaper to make than other genres to begin with, says Dergarabedian.

A horror movie might or might not break even at the theaters, but it’s sure to make lots more money when it hits DVD. But actually, the trend towards studios depending on DVD sales may have peaked already — infor the first time in a decade, theatrical box office revenue was bigger than home-video revenue, says BoxOfficeAnalysts’ Stone.

And this seems to be continuing into Perhaps because of piracy or the popularity of Netflix, DVD sales aren’t keeping pace with ticket sales any. Says Stone, «Studios can no longer rely on as robust an ancillary market to prop up a failure at the box office. That’s one reason why you’re hearing so much about 3-D — those higher ticket prices are a way to plug the revenue hole from disappointing DVD sales.

And studios are going to start investigating premium video-on-demand services more, as another way to shore up their earnings, says Stone. The A. Charlie Jane Anders. Filed to: Movies. Share This Story. Get our newsletter Subscribe.

[Podcast] How Do Movies Make Money?

From a distance, the movie business might look pretty glamorous. Celebrities and producers glide down red carpets, clutch their Oscars and vacation in St. Barts…just because they.

What’s the average cost of making and selling a Hollywood blockbuster?

The public can be fickle, the industry is in flux, and just about any movie is an extremely risky investment, even a film starring big name actors and actresses. Major studios and indie filmmakers alike now spend much of their days looking for new sources of revenue, because ticket sales are no longer the be-all and end-all for films. This is in part because it costs far more to make and market a film than it. Romantic comedies or some children’s films need to promote themselves via TV commercials and media advertisements, and those costs add up quickly. For any type of film, whether a blockbuster or an indie production, things like tax incentives and revenues from product placements can help pay down the budget. If they’re given an incentive to shoot a film in Canada or Louisiana or Georgia, producers will usually hustle to do so. Still, there are a few tried and true ways that films can attempt to make money. The percentage of revenues an exhibitor gets depends on the contract for each film.