McClain landed her first recurring role in the television series House of Paynein which she played the character Jazmine Payne from to McClain played the role desccendants Uma in Descendants 3. She played these roles until the series ended in InCameron won an Emmy Award for her role in the Disney series. She played the role of Mal. Her other television appearances include The LodgeAgents of S. Cameron made her film debut in the movie Barely Lethalmovvie which she played the role of Liz Larson. He displayed his talent as a rescendants artist. He made his acting debut in a TV movie titled Skeleton Man. That same year, he made his film debut in the movie Yard Sale.
How Much Money Harrison Ford Made for Every Star Wars Movie
Watch now. See the full gallery. Title: Descendants TV Movie Mal, Evie, Carlos and Jay try to adjust to life in Auradon, but Mal becomes overwhelmed with pressure and returns to her roots. The teenagers of Disney’s most infamous villains return to the Isle of the Lost to recruit a new batch of villainous offspring to join them at Auradon Prep. Two teen rival babysitters, Jenny and Lola, team up to hunt down one of their kids who accidentally runs away into the big city without any supervision. Follows Liv, a popular television star whose show has just finished its run, and Maddie, an outstanding student and school basketball star whose popularity is on the rise, until Liv makes a return to their high school. A snowboarder takes lessons from a former champion, inspiring him to reach for the stars once again. Two surfing lovers, whose doomed relationship is nearing to a close, find themselves swept into a a dimension traversing wave that sends them into a beach movie musical in the 60’s. Modern day teens Mack and Brady get a real world visit from Lela, Tanner, Butchy, and other surfer and biker pals from the beach party film within a film, Wet Side Story.
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Students from Zombietown are transferred to a high school in a suburban town preoccupied with uniformity, traditions and pep rallies. When Zoey’s mom remarries, Zoey finds it hard adjusting to her new life — no longer the only kid in the family. A Texan teen moves to New York City to follow her dreams and ends up as a nanny for a high profile couple’s four children. Teenager Cleo’s school science project goes quite awry, causing her popular older sister Molly to go invisible.
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Perhaps because of piracy or the popularity of Netflix, DVD sales aren’t keeping pace with ticket sales any more. Studio accounting, designed to make sure people don’t collect on back-end deals, is a marvel. We use cookies and other technologies to analyze site traffic, understand patterns of use, and improve your browsing experience. Descendants is decent family fare, and with the exception of one tense scene, it’s a fine pick for just about any age. Ben’s determination to see past stereotypes is what sets these positive changes in motion. Rate movie. Talk to your kids about Ford reportedly made half a million for his work on Return of the Jedi. Kids will love the creative play on classic characters, the unlikely relationship between Ben and Mal, and the handful of musical numbers that can feel a little cheesy to the older set. The main characters wrestle with pressures of good and evil, and their parents nudge them toward unsavory behavior like trickery, lying, and stealing. Ford also has a reported deal with Disney to make. A couple of kisses. Educational Value.
China Anne McClain
Fairy Tales. One thing cited by Star Wars fans young and old as one of the coolest things about the franchise is the rags-to-riches stories of the rhe. And stars who have a huge global following are more likely to open a movie than ones who are only famous in the U. On the other hand, some aspects hoe welcome changes, namely some racial diversity that’s a pleasant surprise. Didn’t like it I hated how some of the girls ripped the side of their skirts far up to be more «pretty». As with everything else to do with box office, the answer is «it depends. That’s how important the global picture has become to Hollywood studios.
Dove Cameron
If you really liked a particular movie, and you’re hoping it made enough money to warrant a sequel, then the wealth of box-office news can be confusing. How can you tell when a movie’s a hit? We asked the experts. If you even pay a little attention to what’s going on in the entertainment industry, it’s easy to get snowed in with box office information that seems meaningful, but is thr to interpret.
If a movie’s number one in its opening weekend, does that mean it’s automatically a hit? Or is the percentage drop between the first and second weekends ddi important number?
And so on. News outlets tend to report lots of box-office data without giving that much context. As Phil Contrino, editor of BoxOffice. They look at the opening weekend — and instantly a movie is a success or a failure. Sometimes, a film can do well in its first weekend and then stumble in later weekends. Or a film can develop «legs,» like Christopher Nolan’s Inceptionand win a few weekends in a row. Studio accounting, designed to make sure people don’t collect on back-end deals, is a marvel.
So how do you know if the box-office gods have smiled enough on your favorite movie that studios are likely to greenlight similar films? The short answer is, it depends on a number of factors, but a rule of thumb seems to be that the film ddescendants to make twice its production budget globally.
For the longer answer, read on. There’s a lot more, although studios are loath to give out numbers. The studios seldom release accurate production budgets — and they’re even more leery of revealing how much they spend on other stuff, like promotion. That’s because those films are often romantic hoa or kids’ movies, which are cheap to make but still need a lot of promotion.
And the numbers only cescendants up with bigger films. Of course, the promotional expenses are different for each film — Contrino points out that Fox didn’t seem to waste much money promoting Gulliver’s Travelsonce it was clear they had a dud on their hands. So Gulliver didn’t lose as much money as it could.
And in some cases, a studio will actually have less money at stake than the film’s production budget — sometimes, the distributor will just acquire an already-made film for a small fee, plus marketing costs, says Gitesh Pandya with BoxOfficeGuru. In those cases, the studio can make a profit even if the film doesn’t make back its production budget.
You might have noticed that studios are pushing a lot harder lately to make a film as big a hit as possible in its opening weekend. And films tend to open on more screens right away — a typical big film will open on 4, screens, instead of the hundreds of screens it would have opened on in the s.
And it used to be true across the board that the opening weekend was when the biggest percentage of profits went to the studios. In the past, studios «strong-armed exhibitors into these front-loaded deals, wherein the overwhelming majority of the opening weekend take goes to the studio,» says David Mumpower with Box Office Prophets.
Eventually, by the fourth week, the studio’s cut has fallen to around 52 percent in most cases. But after a bunch of theater chains declared bankruptcy in the early s, these frontloaded deals started to fall out of fashion, says Doug Stone with BoxOfficeAnalyst.
Nowadays, with many of the bigger Hollywood blockbusters, the theater chains just get a standard cut of the whole revenue, regardless of which weekend it comes in. The percentage of revenues that the exhibitor takes in depends on kovie individual contract for that film ho which in turn depends on how much muscle the distributor has, according to Stone.
These deals often protect the theaters from movies that bomb at descehdants box office by giving the theaters a bigger cut of those films. You can actually look at the securities filings for the big theater chains, to look at how much of their ticket revenues go back to the studios, points out Stone. So for example, the latest quarterly filing by Cinemark Holdingsshows that So as a ballpark figure, rescendants generally take in around percent of U.
The highest profile example of a film that bombed in the U. And a similar thing happened with the previous Narnia movie, Prince Caspian. Another big film that made way more money overseas than domestically was Terminator Salvation.
So if a film does incredibly well overseas but flops in the U. As with everything else to do with box office, the answer is «it depends. According to the book The Hollywood Economist by Edward Jay Epstein, studios take in about 40 percent of the revenue from overseas release — and after expenses, mak lucky if they take in 15 percent of that number. Domestic revenue just counts for a lot more than overseas revenue, says David Mumpower with Box Office Prophets:.
The reason for this is simple. Collecting revenues abroad is a trickier proposition since the dollar fluctuates against foreign currencies. There are also tariffs from these governments in place in order to keep as much money as possible from leaving their countries and going abroad, which is an understandable practice.
While the global conglomerates such as Fox, Disney and Time-Warner that run major Hollywood studios can secure sweetheart deals with various local governments, it doesn’t happen for each film. As such, international box office revenue is much less reliable than in North America. But still, overseas box office does matter, more and. And stars who have a huge global following are more likely to open a movie than ones who are only famous in the Thee.
A shocking number of releases did better abroad than in North America, which makes sense when we consider population numbers. It’s just a relatively new phenomenon for the industry. Avatar’s performance is a great demonstration of global expansion. That’s how important the global picture has become to Hollywood studios. And the studios get a much bigger cut of DVD revenues than they do of theatrical revenues, because the retailers aren’t as «significant of a middle man» as the theater owners, according to Paul Dergarabedian, president of Hollywood.
There are a lot of costs that go into running a movie theater, and showing movies is all the movie theater does — unlike most places where DVDs are sold. There are some genres of film that do especially well on DVD — like horror films, which are often cheaper to make than other genres to begin with, says Dergarabedian.
A horror movie might or might not break even at the theaters, but it’s sure to make lots more money when it hits DVD. But actually, the trend towards studios depending on DVD sales may have peaked already moive infor the first time in a decade, theatrical box office revenue was bigger than home-video revenue, says BoxOfficeAnalysts’ Stone.
And this seems to be continuing into Perhaps because of piracy or the popularity of Netflix, DVD sales aren’t keeping pace with ticket sales any.
Says Stone, «Studios can no longer rely on as robust an ancillary market fhe prop up a failure at the box office.
That’s one reason why you’re hearing so much about 3-D — those higher ticket prices are a way to plug the revenue hole from disappointing DVD sales.
And studios are going to start investigating premium video-on-demand services more, as another way to shore up their earnings, says Stone. The A. Charlie Jane Anders. Filed to: Movies.
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