By David Robb. The report projected that throughindustry revenue will increase at an annualized rate of 2. Continually increasing access to home entertainment options will likely deter consumer spending on movie theater outings, forcing the industry to rely more heavily on other domestic licensing revenue, such as on-demand video and online streaming. This will put pressure on the studio model. Meanwhile, new digital players that have already inched into film production will pose a threat to major studios unlike any other they have experienced since the premiere of the talkie. However, during the five-year mcuh, the overall industry will remain in demand, and foreign distribution of US films will likely continue growing strongly.
Site Index
From a distance, the movie business might look pretty glamorous. Celebrities and producers glide down red carpets, clutch their Oscars and vacation in St. Barts…just because they can. The public can be fickle, the industry is in flux, and just about any movie is an extremely risky investment, even a film starring big name actors and actresses. Major studios and indie filmmakers alike now spend much of their days looking for new sources of revenue, because ticket sales are no longer the be-all and end-all for films. This is in part because it costs far more to make and market a film than it seems. Romantic comedies or some children’s films need to promote themselves via TV commercials and media advertisements, and those costs add up quickly. For any type of film, whether a blockbuster or an indie production, things like tax incentives and revenues from product placements can help pay down the budget. If they’re given an incentive to shoot a film in Canada or Louisiana or Georgia, producers will usually hustle to do so. Still, there are a few tried and true ways that films can attempt to make money. The percentage of revenues an exhibitor gets depends on the contract for each film. Many contracts are intended to help a theater hedge against films that flop at the box office by giving theaters a larger cut of ticket sales for such films, so a deal may have the studio getting a smaller percentage of a poorly performing film and a larger percentage of a hit film’s take.
What’s the average cost of making and selling a Hollywood blockbuster?
You can see the securities filings for large theater chains to see how much of their ticket revenue goes back to the studios. Studios and distributors generally make more from domestic revenue than from overseas sales because they get a larger percentage. Still, overseas ticket sales are incredibly important, especially today. Independent filmmakers can actually make money if they have a great foreign sales agent who can sell their film in key overseas markets. Once upon a time, it was all about DVD sales. Films have to leave the theater at some point, but they can remain evergreen on TV. As for VOD, revenue from these deals should add hundreds of millions to a studio’s bottom line. As the saying goes, nobody knows anything in Hollywood.
What is the most expensive movie genre?
I built up a dataset of 5, feature films released domestically i. See the Notes section for details and caveats of budget information. In reality, some will be over- or under-estimates and almost all publicly available figures have murky provenance. If we line up all those movies from the cheapest to the most expensive then we get the chart below. The reason producers increase their budgets is to make a more valuable product, paying for bigger movie stars, making it more adrenaline-inducing or visually interesting. But every extra dollar they spend has to be raised and repaid.
“We’re going to need a bigger boat”
Fantastic and thorough analysis. Previously Viewed. The old joke in Hollywood is that the studios charge overhead on interest and interest on overhead and if you find that funny you really are down the rabbit hole of Hollywood economics! Comment Name required Email will not be published required Website. For this post. Very, very illuminating. Not as reliable as one might have liked and way below the accuracy the BFI found when the rule is applied to smaller films but certainly interesting. F Thank you for running them backwards and forwards through all your spreadsheets, formulas and thought processes. Assume a well done film project, what is the average production budget sweet spot for maximum profitability Reply. And yes, sometimes theatrical income can be less than the cost of the release.
In the following 10 chapters, you will quickly find the 76 most thhe statistics relating to «Movie Industry». The most important key figures provide you with a compact summary of the topic of «Movie Industry» and take you straight to the corresponding statistics. Feel free to contact us anytime using our contact form or visit our FAQ page.
Site Index
We use cookies to personalize contents and ads, offer social makf features, and analyze access to our website. In your browser settings you can configure or disable this, respectively, and can delete any already placed cookies. Please see our privacy statement for details about how we use data. Published by Amy WatsonDec 19, According to a recent survey, 19 percent of Americans go to the movies about once a month, eight percent go see movies in the movie theater several times a month, whereas four percent go about once per week. This is a considerable share taking into account the 54 percent of American adults who prefer watching movies at home. Film entertainment is big business in the United States. It is expected that the film entertainment business will generate
No comments:
Post a Comment